I’ve been working on this drawing for the past couple of days in between commissioned work and in the evenings. I drew it at a size that’s 3-4 times larger than my usual working size and have found that I can work at twice the speed, more large work to come methinks…
Category Archives: landscape
A Little Progress…
Violin…
Stepping Out….
I’ve been feeling the urge to get out the watercolours for the past few weeks, unfortunatley, due to the commisions I have on the go, this hasn’t been possible. As it was Sunday yesterday, I thought I’d do a little something for myself…. Here’s the finished image…
… And here’s the line art before I added the paint…
More Trees….
I bought a new sketchbook this morning, the paper is an off-white colour, is rougher than the paper I’m used to drawing on…and I love it. This is the first entry, had to be a tree of course!
and on a different note… A project I’ve been working on for teh past 4 months or so has just been completed and approved… I’m very excited! More on that later.
More watercolour landscapes
watercolours and Naughty Elves….
More telly Doodlings….
Mermaid WIP
Small Colour Studies….
Lions on Hilltops….
Horned Horsey On A Hilltop…
Old Stuff…
As an illustrator using mostly digital mediums, I don’t get to indulge in traditional mediums such as oils, acrylics and watercolours as often as I’d like. I’m thinking of making the switch back eventually but right now, I’m a little too busy to do so. This painting (acrylics and oils) was painted around 5-6 years ago and currently sits above my desk in the studio, staring down at me and reminding me to get my old paints out and just let loose- and I will do soon…. honest.
sitting on a branch of an old, old tree….
Life’s pretty hectic right now. I guess most people are feeling it. Family commitments, work commitments coupled with the fact that time passes by so quickly nowadays. I’m feeling pretty frazzled and wishing I could just walk into an old forest, find a comfortable branch, plonk my bum down and just while away the hours. Doing nothing. I guess I’ll have to content myself with this little drawing. (for now).
Merry Christmas To One and All…
I’ve been very fortunate with this blog to maintain rather good daily stats, the only thing is, sadly, I don’t often get to see who stops by, I can only tell via the odd comment or the info the stats pages share… That said, I’d just like to say Merry Christmas to all those who swing by regularly and to those who just happen here by accident. Have a lovely Holiday Season- eat, drink and be merry!
Speedy Sketchings….
Recent watercolour doodles…
More W/C Sketchings….
Regulars of my blog here’ll know I’ve been in la-la land playing with my watercolours lately. I simply adore them. Here’s a painting from a few weeks ago. I’ve been told it looks like Scotland, in truth, it’s a mindscape, I daresay Scotland influenced it somewhat though….. I love the Scottish Landscape. The finished size for this one is approx 4 x 4″
Waterfall sketch…
Mountains In Watercolour
Website’s Shop now up and running…..
I’ve been working hard on the website lately, giving it a general tidy and I’ve now added a shop section to it where prints of my art, and originals can now be purchased. Here’s the link:
Treant
My Art Book Now Available…
I’m very pleased to announce that my book ‘That Space In Between’ (A collection of my personal drawings and sketches) is now available to purchase from Amazon.com. Her’s the link:
(Cover art below)
Works On The Go….
Peeping… coloured…
Contemplation….
Earth Mother- Old drawing….
Roots
Swan Rider Sketch….
Tonight’s scribbling…
Tree…
Elf- Coloured…
Telly Sketching
The Old Ones…..
Waterfall….Oil.
Finished Cover Art….
This was a great job to work on after such a long break away from the drawing board… It’s a cover for a book the wonderfully talented Sally Odgers is putting together, such an honour to be asked to paint this…..As you may have noticed from the WIP posted yesterday, I reversed the image as I went and settled on the lassie facing inwards, far more intimate IMO….
Cover WIP…
Goblin…
Loosening Up….
Holiday sketching…..
New cover art
Giant…
Into the woods-coloured.
Old Tree Bloke…
Uncle Tree
This was painted as a blog header for a new writer friend of mine:
http://me2watson.wordpress.com/
He writes about all things woodland, whispy and wonderful (right up my alley). I enjoyed this one immensely.
Castle In The Mist-watercolour sketch
Lunchtime Watercolour Sketching….
Red-coloured……
Red…Line art…
Peekaboo…. Coloured
The Old Sailor…
I’m on a shameless watercolour kick right now (when time allows)… and I’m very keen to improve. It’s great to look over old work and see that there was maybe something there to build upon. As I mentioned in my last post, watercolour is the most difficult (for me), yet most satisfying medium to work with, it’s totally unpredictable and a constant challenge, and to try and tame it seems to be a worthwhile pursuit, so I’ll keep plugging away at it. the pic below was painted quite a few years ago… I’ll add my newest efforts here as and when I get the chance to paint them.
Watercolour
As an illustrator, I colour my art mostly via the PC, mostly due to the fact that it’s a much quicker medium and I have so much more control over the finished look of the art (most illustrators will agree that it’s a nightmare when a book comes back and the colours have been mercilessly altered). That said, I have another side to my character…fine art. I’m an avid student, wishing to learn as much as I can about the subtle nuances of any medium I happen to be interested in… (which is most mediums. I paint in oils, acrylics, gouache, watercolour… pen and ink, graphite (etcetc)). Watercolour, for me, holds such a mystique about it, and, if I were to be totally honest, it’s just about the only medium where I’m 100% happy on the ‘ journey’ to a finished piece of art. I bought a new travel set of Pebeo (French manufacturer) watercolours last week and received them yesterday, this is the little sketch I did last night- taking approx 2 hours.
Another go…..
Healing Room sketch….
Coastline sketch….
TV sketching……..
Finished Cover Art…
Colouring The Cover…WIP
Cover Line Art….
Illustration #16 finished….
Line art for new illustration….
I managed to find a place inside me with a modicum of discipline today. I’m so very close to finishing the picture book I’m working on. The double page spread (landscape format) has been a little challnging. I worked on one a while ago and I’d honestly forgotten just how hard they could be. No matter. things are continuing quite well-bodes well for tomorrow, my first full day since the Christmas/New Year break. This image is the 16th spread for the book. I’ll be spending tomorrow colouring it in Photoshop.
Digital preliminary-The Clearing…
Oil/digital.
The model is the lovely:
[link]
The Clearing…. Updated.
I’ve been working on this image on and off for a very long time. Due to work commitments, I only get to splash a little oil paint onto this every now and again. I’ve been feeling a little out of sorts when I settle down to work (due to the Christmas break), so I thought I’d add a little paint and loosen up this afternoon.
Cuddles….
Aaron goes abstract…
more puppy pics….
yesterday’s drawing coloured….
New Picture Book Illustration…
After a false start, I’ve repainted this image and am far happier with it. I’d recently completed two books that required approximately 140 illustrations. It was hard work and left me a tad ‘burnt out’. Getting started straight away on a new image in a totally different type of book was kind of what the doctor ordered, but in reality, I should have taken a bit of a break. No matter, the other served as a rough for this one:
steps….
I’ve been working on an image lately in my spare time for a project I’m hoping to sink my teeth into eventually. I’ve posted a couple of the steps before but not the finished image. Here’s how I generally work from pencils to finished image. I coloured this using Photoshop CS3 and Corel PainterX.
As I always intended this image to be quite simplistic (ie- not too much in the way of unnecessary details), I keep the drawing as simple as I can. I am a big fan of leaving an image ‘open’ to change along the way. I do appreciate people who work out their images to the nth degree beforehand, but that approach simply doesn’t work for me. I guess I paint the same way as I live my life….
This is my favourite part of working in this style… the inking. I adore rendering in pen and ink. The thing about working with line art and colour is that it’s easy to take things too far with the pen. A little experience goes a long way. I’ve ruined many, many images and obliterated some wonderful pen and ink drawings with the colour as sometimes, it’s not necessary to go over the top. Just enough rendering to hint at things before laying the colour down. One thing worth noting here is that I work on the PC almost identically to the way I work with pen and ink and watercolour…
Here I’m laying down colour washes. this is the part where I set the tone of the image and begin to think about depth of field, centres of interest etc. The waterfall to me, is the centre of interest, hence it being the lightest part of the painting and all the elements leading the viewers eye to it…. Depth of field in a painting is one thing I’ve always been interested in, I’ll explain my process more in the next step….
here’s the final image. I’ve been painting digitally for 4 years now. I find it’s made my life a lot easier as an illustrator for it’s sheer speed and ease of colour correction etcetc… But one of it’s major assets, for me, is that I’m able to achieve the illusion of depth in an illustration. Traditionally, I may have achieved this by using a very ‘wet’ wash for the backgrounds in watercolour or acrylic, in oils, I’d gently smudge the background with a fan bruch creating a blurry effect and not using the same techniques in the foreground…. Digitally I achieve this look by using the ‘blur’ tool. Quite simply, used sapringly, it can replicate the effect ones eyes are used to in nature- things far away are ‘blurrier’, things up close are sharper etc (depending on the state of the person’s eyes of course-chuckles). the placement of the dragonfly in this illustration was the hardest thing about the whole image for me. After much toing and froing, moving the initial drawing this way and that, I settled upon his current position as he seemed to quite ‘fit’ on the end of the branch leading the eye into the image. Finding a natural placement for objects is constantly challenging, but ultimately satisfying when, on the rare occasion, it actually works.


















































































